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An intriguing gaze: Charlotte Rampling in 10 cult films 02 04 2016

charlotte rampling 60s

In 2017, she won the Volpi Cup for Best Actress at the 74th Venice International Film Festival for Hannah.[6] She received an Honorary César in 2001 and France's Legion of Honour in 2002. She was made an OBE in 2000 for her services to the arts, and received the 2015 Lifetime Achievement Award from the European Film Awards.

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More recently in 2016, with actress Tilda Swinton, Rampling and Swinton appeared at MOMA in Paris as human easels, holding and interacting with portraits and landscapes by celebrated photographers such as Richard Avedon, Brassai and Irving Penn. This cerebral, thought-provoking exposition directed by Olivier Saillard, the director of the Palais Galliera, was the perfect vehicle for Rampling and Swinton’s unique looks and personas. Rampling’s father was a British army officer and consequently she spent many of her formative years in Gibraltar, France and Spain. Back in Britain, Rampling’s distinctive looks were soon recognized by a casting agent and she never looked back.

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Her CV, which remains Disney-free even in her later years, testifies to her resistance to all that is Hollywood. Her big break came in 1974, when she appeared in the controversial art house film The Night Porter. Rampling portrayed a concentration camp survivor caught up in a sadomasochistic relationship with a former Nazi officer, played by Dirk Bogarde.

Charlotte Rampling Looks At Her Life - Publishers Weekly

Charlotte Rampling Looks At Her Life.

Posted: Fri, 19 May 2017 07:00:00 GMT [source]

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charlotte rampling 60s

They so love beauty and they so love what they’re doing, they so love the actual art of filmmaking. I don’t think Fellini’s films or Visconti’s films ever made any money. It was so different from the way the English and the Americans were working, there was such passion.

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And me coming from a rather cold Protestant family, I woke up! Rampling has never deliberately courted controversy, but it has found her nevertheless. Her first marriage to New Zealand actor Bryan Southcombe was in 1972.

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Susan King is a former entertainment writer at the Los Angeles Times who specialized in Classic Hollywood stories. She also wrote about independent, foreign and studio movies and occasionally TV and theater stories. Born in East Orange, N.J., she received her master’s degree in film history and criticism at USC. Herald Examiner and came to work at The Times in January 1990.

Arthouse movie star Charlotte Rampling talks about her life - BBC.com

Arthouse movie star Charlotte Rampling talks about her life.

Posted: Thu, 10 Aug 2017 07:00:00 GMT [source]

In 1976, she met the composer Jean-Michel Jarre at a dinner party in Saint-Tropez; within days she had left Southcombe for him (Jarre left his wife, too). In 1978, they married and had a son, David; Rampling also brought up his daughter, Émilie. In 1995, their marriage broke down after she discovered his infidelity via the newspapers. In the late 90s, she began a long, happy relationship with journalist and businessman Jean-Noël Tassez, which lasted until his death in 2015, aged 59. Rampling went to prestigious private girls’ schools in France and in England, and at the age of 16 left for a secretarial college in London. At 17, she was spotted by a casting agent, and made her proper film debut (she was uncredited for a nightclub scene in A Hard Day’s Night) in the Boulting brothers’ comedy Rotten To The Core in 1965.

early 1980s: mature roles, Hollywood, and Italian cinema

Rampling has received a number of honors and awards. She was made an OBE in 2000 for her services to the arts; she received an Honorary Cesar in 2001; France’s Legion d’Honneur in 2002; a Lifetime Achievement Award from the European Film Awards in 2015. She was awarded the 2017 Volpi Cup for best actress at the 74th Venice International Film Festival. Quite a lot of things were experimental, I suppose. I don’t know whether I’ve got it now, but never mind – I had it! ” Randall went his own way after she married Southcombe, and they lost touch.

At 75, Charlotte Rampling Remains an Icon of Classic French Style

She won many awards for her performance in "45 Years" - and now she might also get an Oscar. Here's a look back at a career characterized by mysterious sex appeal. Hers, in other words, is the story of a real-life heroine.

Rampling could easily have made her career in the UK but was sought after by Italian directors, including Gianfranco Mingozzi and Luchino Visconti. She was never to be pinned down in predictable roles, and acted in diverse productions, from TV series including The Avengers, and opposite Yul Brynner in the adventure film The Long Duel, to playing Anne Boleyn in the costume drama Henry VIII and His Six Wives. Rampling’s talent was soon in demand both in the UK, USA and in Europe and it seemed almost destined that Europe would win out when she fell in love and married the French composer Jean-Michel Jarre, and made her home in France in 1978. Rampling’s trajectory from her early films to the movies she made in her late 50s has been characterized as a transition from merely playing her cold sexy self to learning to act — or being taught how, as one writer absurdly suggested, by the much less experienced Ozon.

Rampling constantly provoked both herself and her audience. Her unusual beauty, the sharp planes of her face, the long slim body, still attracted long after her Dolly Bird days. In 1974, she posed nude in Playboy photographed by Helmut Newton. In 2009, Rampling posed nude once more in front of the Mona Lisa. Beautifully dressed, she appeared on the covers of Vogue, Interview and Elle magazines.

Hannah’s director, Andrea Pallaoro, had always imagined Rampling in the part, and no wonder. “I think he wanted, more than anything, a presence,” she says. “He thought I was the only actress of my generation that could really hold this character.” There is barely any dialogue, and it goes through the monotony of Hannah’s days in painstaking detail.

With the sum total of what I’ve taken on board, it would be fantastic to be a young woman of 18. Maybe that extraordinary knowing-unknowing of youth, when you feel you really know things. You have the youthful power and then you have to go through life to really know.

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